What these photographs are

Our own jumps: our passengers, our instructors and our aircraft, not pictures bought from a stock library. They are arranged in the order of the day — the hangar and the briefing, the climb, the exit, freefall, the canopy ride, and what happens the moment after landing.

What a photograph cannot show

The noise and the speed of freefall, and the fact that for those 60 seconds the landscape is a backdrop rather than a view — the picture is wide and rushing, and the horizon tilts. Looking properly starts under the open canopy. That is set out in what you can see from 4,000 metres.

Where the air-to-air shots come from

From two places. The camera flyer, a separate skydiver, leaves the aircraft with you and films from the side, and a camera in the instructor's hand records the passenger's face up close. The passenger holds nothing, because on a tandem the hands stay free. A jump with the hand-cam is 1,350 zł, with a camera flyer 1,500 zł, and with both 1,700 zł; the full list is on the pricing page.

Where this is

We jump near Gdańsk, a few dozen kilometres inland, so the same landscape comes back in every frame shot from altitude: a patchwork of fields, the built-up strip along the shore, and water on the horizon. How much of it any given day leaves you is down to the air, which is the subject of skydiving on the Baltic coast.